For Autumn Winter 2026, dunhill returns to the blazer not as a fixture but as a proposition: a garment through which English tailoring, masculine poise and material intelligence quietly align. Under Simon Holloway’s direction, the House looks to 1960s London, where Savile Row discipline met the self-possession of the King’s Road, translating that tension into a wardrobe of layered greys, winter browns and midnight tones.
The Cavendish and Bourdon cuts frame the campaign’s central study with contrasting ease: one softly constructed, the other more defined, both calibrated for a contemporary movement between formality and instinct. Cloth carries the narrative: gun club checks, houndstooth, windowpane flannel and indigo wool-silk double-face bringing depth without excess, while hand-sewn silk buttonholes and archive-informed details suggest that restraint is most persuasive when precisely made.
Photographed by Ethan James Green, the campaign unfolds as a sequence of intimate studies rather than a conventional presentation. Across portraits of Henry Kitcher, Daisuke Ueda, RJ Rogenski, Colin Otto and Hamid Onifade, the blazer shifts in temperament: sartorial, sporting, cinematic. In suede Driving Blazers, bonded leather and Scottish wool trenching, dunhill lets construction become atmosphere: exacting, tactile and quietly unmistakable.
